Twelve Pictures of Beauty and Sweetness, month by month – 1 (January)

Earthly & Unearthly Wintershine – In loving memory   ©LiF The header image is an ‘icier’ and more outlandish variation of the same shot – Somewhat less detailed due to my edition, but very pretty as well (even angelic, or so I appreciate) – Lixie F 🦄 No unauthorised copying or redistribution. All Rights Reserved.… Continue reading Twelve Pictures of Beauty and Sweetness, month by month – 1 (January)

Nane tsoxa – I’ve no skirt

[First posted in November 29th, 2016. Reblogged now, out of nostalgia, after listening to this music again. To the few who still follow this blog and were not here back then, in 2016, I just recommend to enjoy the nerve of the music, the spell of the Rromani language, the flare of a person now… Continue reading Nane tsoxa – I’ve no skirt

The previous ‘Morning After’, by Alyssa Monks

[This post on contemporary American painting is a direct follow-up of another one on this same blog: A Painting with Soul: ‘Morning After II’ by Alyssa Monks.] The oil below was painted ten years before the other, and does not seem as accomplished to my eyes; neither technically nor aesthetically (but is still very good!). The… Continue reading The previous ‘Morning After’, by Alyssa Monks

Where Angels Go

Today, now, is Christmas Eve and I feel the need to recall my sister (not that I do not recall her every day, but today is special) and also make a post for her, on her own blog. So here you are, my dear; some edited pics according to your taste…: and there you go… Continue reading Where Angels Go

Archangels, still… And some imposing Seraphim from Late Romanesque

“Ecce ego mitto angelum meum ante faciem tuam” (Marcus, 1: 2) [“Behold, I send my messenger before thy face”] There are some splendid representations of angels from different orders in the presbyterium area of the Norman Cathedral-Basilica in Cefalù, Sicily (Duomo di Cefalù). They were made in mid-12th century by unknown masters in the technique of… Continue reading Archangels, still… And some imposing Seraphim from Late Romanesque